The inside story of what it took to bring Monty Python and the Holy Grail to Broadway as the unlikely theatrical hit Spamalot, told through actual diary entries from the legendary comic performer, founding member of Monty Python, and New York Times bestselling author

On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John Du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle before it could find its way into existence.

Now, in The Spamalot Diaries, Eric Idle shares original journal entries and raw email exchanges—all featuring his whip-smart wit—revealing the sometimes bumpy, always entertaining, path to the show’s unforgettable run. In the months leading up to that opening night, financial anxieties were high, with a low-ceiling budget and expectations that it would take two years to break even. Collaborative disputes put decades-long friendships to the test. And the endless process of rewriting was a task as passionate as it was painstaking. Still, there’s nothing Idle would change about that year. Except for the broken ankle. He could do without the broken ankle.